Friday, March 23, 2012

READER REVIEW

I was very touched to receive an unsolicited reader review for my book the King's Daughter.  Thanks to Erin O'Quinn for permission to post in its entirety since no link is available:


At first I shook my head at the unfamiliar place names (Landsreel, the Alcinic Ocean) and the mention of several mysterious beings (the Holy Sisters, the Goddess, the High Born). Then, by the time I had read the second chapter, I was fully swept up in the intricately described life of Tia, the young daughter of the king who is to be used as the pawn in her father’s desperate attempt to save and perpetuate his kingdom. 
I always appreciate subtle detail that also sets place and mood, and Miriam is very good at it. Read, for instance, this description of riders now dismounted, leaving the royal stables: “men crested in a wave through the front entrance, boots hammering the floor, bearing the mixed scent of sweat, leather, and horses with them. . . . I heard varying thuds of greater and lesser buttocks meeting chairs, the solid sound of drinking vessels on the wooden table, and then silence.” Combine those details with the images of honey-cakes, bathing tubs, verbena soap; and this particularly well-imagined detail:  “Andun threw back his chair so hard it left curls of wax in the freshly-polished floor.”
Detail by detail, Miriam builds her setting. By the time the book opens on chapter 4, I am hollow-throated along with Tia, wondering how the king could consign this lovely young girl to the embraces of a man “thrice her age.”
I can tell already that this book will be a page-turner and a tale intricately wrought as a medieval tapestry. I will continue my comments later. For now, let this introduction be enough for a while to persuade you to buy The King's Daughter by Miriam Newman.

Monday, March 19, 2012

AND YET ANOTHER CONTEST - AT MANIC READERS


Today, 3/19, I blogged at Manic Readers about Heart of the Earth, Book II of The Chronicles of Alcinia.  This is the sequel to The King's Daughter, Book I of the piece.  There is a contest for a free pdf or Kindle copy of the book.  You can find this contest at http://manicreaders.com/blog/index.php/2012/03/heart-of-the-earth-with-giveaway-by-miriam-newman

Saturday, March 17, 2012

Friday, March 16, 2012

CONTEST!!!

Valley Forge Romance Writers
2012 THE SHEILA Contest



OPEN FOR ENTRIES ON March 1, 2012



Finalists will have a week after notification to submit a revised entry for review by the final round judges. 


Deadline: All entries must be received no later than April 7, 2012 11:59 p.m., eastern standard time
Submissions: Total of 35 pages, including synopsis (not to exceed 5 pages).

Judging: Entrants will receive a detailed score sheet from four qualified judges including, whenever possible, at least one RWA Pan author. The lowest score will be dropped before determining the final score. The top five entries in each category will advance to the finals.

Categories and Final Round Judges:

Single Title Romance - Emilia Pisani, Gallery Books

Historical (short or long and Regencies) - Elizabeth Poteet, St. Martin’s Press

Fantasy/Futuristic/Paranormal - Leah Hultenschmidt, SourceBooks

Women’s Fiction with Romantic Elements - Alex Logan, Grand Central   

Romantic Suspense - Katherine Pelz, Berkeley

Young Adult - Wendy Loggia, Delcorte Press/RHCB.

ENTRY FEE:

- $25 for all VFRW members / $30 for all non-VFRW members.

- For non-electronic payment methods, contact the contest chair (contest@vfrw.com) before April 1, 2012, to make arrangements.  Only money orders will be accepted.

- All entry fees are non-refundable except in the case of category cancellation, as stated above.

- If you have any questions, please email CONTEST@VFRW.COM


For detailed Rules and Entry Form, visit our website:  http://www.vfrw.com/contest

QUESTIONS: Contact Jeannine Standen, Contest Chair, at contest@vfrw.com

Friday, March 9, 2012

CHAT TONIGHT AT LOVE ROMANCES CAFE

I will be at a 7 - 9 p.m. chat tonight Friday, March 9 at loveromancescafe@yahoogroups.com with authors Kate Hofman, Susan Blexrud and Denise Alicea.  We will have plenty of free books including my new release The King's Daughter as well as contemporary, historical, paranormal, fantasy, futuristic and YA.  I hope some of you can stop by.  If you're not currently a member of LRC, you can use the address above to join for the chat.

Miriam Newman

Tuesday, February 28, 2012

COME BACK AGAIN TO IRELAND

In the interest of having this done so no one has to blog backwards, and giving you the HEA, I am finishing up today this spontaneous autobiography which shows one evolution of a writer.  Do you have your own story?  Feel free to leave particulars under Comments.  I think it's always fascinating to read what gave authors their drive to publish.  My muse was instrumental in mine and even though we have a love/hate relationship, I think it's worth it:


I read those books Seph left me, after all.  In the middle of the nights, when I awoke now because it was time to administer another IV, I read them to the accompaniment of the drip/drip of the IV pump.  The house was otherwise silent because my husband was only semi-conscious, being kept alive by the power of those drips, and I needed a book for company.  Nothing too heavy, mind you.  I didn't want to be too distracted in case the dripping stopped...or his heart did.
So I read away the nights:  Johanna Lindsay, Bertrice Small, Laura Kinsale.  There were too many others to name.  They consumed my time and my mind, or what was left of it.  In accordance with my husband's wishes, I had opted to pursue the euphemistically-termed "home death."  The social worker warned this would take a terrible toll on me, but I knew that.  I was a social worker, too.  I told myself I was ready for it.
Dave's heart finally stopped early one evening in March.  Dear friends sat with me as we played the classical music he loved and ate the pizza he loved, too.  We told ourselves that he would have wanted it that way, and I knew he would.  Dave wasn't into mourning.  His little dog lay on the bed with him until the end, and I did too, and then it was over. Just before spring.  Just as Seph had told me it would be.
I wondered if Seph would come to the funeral, but she didn't  She had never been welcome in that house, only sneaking down the flue or through a crack in the window whenever she could get in, and I guess she decided if she wasn't good enough for Dave in life she surely wasn't good enough for him in death.
Now that I had the time for her, I had no muse.
I stayed busy.  There were things to do, many things.  And bills to pay, many bills.  Oh, and I had surgery three times.  Yeah, I had been pretty busy while my husband was dying, too busy to take care of my own health, and I paid the price.  Big time.
Eventually things settled down.  Way down.  There was still no muse, my time was very much my own and I lost track of it.  I lost track of a lot of things.  When I looked in the mirror, I looked just like Seph the last time I had seen her.  Burned.
A strangely haunting tune began whining away in the back of my mind, never quite getting to the front but always there just like those voices my mother had heard.  Uh-oh.  Those voices had nothing to do with Second Sight.  There was a difference between The Sight and clinical depression or worse.  Jeez Louise.  Was I going to end up like my mother?
Well, apparently not if my Nana could help it.  Years before, Nana had told me I would have a hard life.  That wasn't difficult to predict, seeing that I had a mother with essentially untreated bipolar disorder.  They really weren't into calling it that in those days.  Then it was called Manic Depression and treated with Lithium, only Mom couldn't tolerate Lithium because it was hard on the kidneys and she had already damaged hers with heavy alcohol consumption.  Then the doctor recommended shock therapy, but my father said if he wanted his wife electrocuted he could just give her a fork to stick in the toaster.  No electro-shock, though from what I heard of it in later years I decided probably Dad was right.
In any case, Nana had told me when everything seemed to be lost to go to Ireland and I would find my way again.  I was just enough my mother's daughter to listen.  My father's genes protested furiously that I would be wasting my time--not to mention all that money!--but between the sage counsel of my grandmother and the psychotic delusions of my mother I was just wise enough and just crazy enough to get on a plane bound for Ireland, where I didn't know a soul.  Or at least that's what I thought.
That music in the back of my head had been Celtic music, and I knew even before the plane touched down at Shannon that I was home.
Ireland saved my sanity, though at first it didn't seem that way.  At first it was a matter of sitting in The Laurels Pub in Killarney, a wonderful place I remember with great fondness except that I nursed too-numerous mugs of Guinness stout there.  My fault entirely.  I didn't even like Guinness.  Mom had liked rye and vodka.  Oh, man, did she like vodka--which was probably why I avoided it.  But the end result would be the same.  I was avoiding mirrors again because I didn’t like the way I looked.  Unlike my mother, though, I had an innate ability to “just say no.”  So I did.  I started drinking what the Irish call fizzy water--seltzer water--with lime.  And Pepsi with lemon.  And then because my mad escapade hadn't left me with enough money to buy a laptop, I bought a bunch of yellow legal pads a la J.K. Rowling and went to find Seph.  I damn well knew she was in Ireland.  She had to be.  Why else had I come?
I found her in a peat bog.  A peat bog?  Oh, well, I guessed that was appropriate.  And oddly enough--just like me, once I just said no--she looked healed.  She looked...peaceful.  No more drippy lava, no  sparking eyeballs.  She smiled and pointed to the yellow legal pad in my hand and then to a sheep pasture overlooking the Aran Islands and the Atlantic Ocean my grandmother had crossed to get to America.  OK, maybe I would just sit there and try to write.
My pen hit the paper and I started:

"I was the King's daughter once, so many years ago that sometimes now it is hard to remember. Before the tide of time carried away so many things, so many people, it was worth something to be the daughter of a King.
"Our little island nation of Alcinia was not rich, except for tin mines honeycombing the south. It wasn't even hospitable. Summer was a brief affair and fall was only a short time of muted colors on the northernmost coast where my father sat his throne at the ancient Keep of Landsfel. Winter was the killing time and spring was hardly better, with frosts that could last into Fifth-Month. But from the south, where men cut thatch in a pattern like the bones of fish, to the north where rock roses spilled down cliffs to the sea, it was my own.
“One thinks such things will never change, yet all things do."

What the hell?  That was no poem.  I looked up, startled, and there was Persephone, black hair gleaming against her red gown.  Still no lava although her nails were still bright red.  With one of those gleaming, lacquered nails, she pointed imperiously to my paper and said one word.  "Write."
I wrote until I had 130,000 words.  And then I wrote another 103,000 words.  The first book I called, "The King's Daughter."  The second book, its sequel, I named "Heart of the Earth."  And then, like my grandmother, I crossed the Atlantic Ocean to America.
I got on a plane and flew back to America, since unlike my muse's crow and my blackbird I had no other way to get there.  Nana had come by steamer (first class, of course, with her mother's china), but those days were gone.  Now Aer Lingus took me back to New York, where I can't say I was especially glad to be.  The air pollution made my eyes as red as Wench … er … sorry … Persephone’s at her worst.  I did get to spend time at the Metropolitan Museum of Art, hanging out with guys in mail, which almost made it all worthwhile.
I got a computer.  I got an email address which I had to abbreviate from my friends' whimsically-inspired "Miriam's in Ireland."  I tried to get a publisher.  Or an agent. BUWAHAHA!  We all know how easy THOSE are to get.  I didn't know diddly.  I especially didn't know if you tell them you're a poet they run screaming in the other direction.  Our reputation precedes us.
Persephone was no help.  Apparently she had stayed in Ireland.  Finally, since I had concluded writing romance took a high degree of skill and maybe I was missing something, I joined Romance Writers of America and Valley Forge Romance Writers.  Then I got online and an editor found me.  Seriously.  She read my first paragraphs, then my first chapters, then the whole bloody book--in one night--and then she wanted it.
That was The King's Daughter, presently available on my web site www.miriamnewman.com.  The sequel is there, too.
Once I signed the contract, Seph came back.  She really is a wench, but all is forgiven because she brought another nine books with her.  Ten, if you count the one I'm writing now.  It’s set in Norway.  Now do you suppose if I went to Caithness, northernmost point in Scotland, from where a ferry leaves most days for Norway, and I took a yellow legal pad and…
”SEPH!  COME ON!  WE’RE LEAVING!”

Miriam Newman


Sunday, February 26, 2012

THE LONG GOODBYE (PART THE FOURTH)

This is the part where if you haven't figured out that this is an autobiography, you'd do best to scroll down to Part The First to figure it out, assuming you're interested.

Anyway...

Before she left, the now-named Seph did something peculiar.  Before, she had always left me with heaps of  material to read before her next visit, sort of like a teacher giving you stuff for the final exam.  Usually it was something highbrow.  Something on the order of, say, Stephen Vincent Benet's Pulitzer-Prize-winning epic "John Brown's Body," a book-long poetic version of the Civil War, to the accompaniment of something like The Battle Hymn of the Republic to...you know...get me in the mood.  Or if it was a non-poetic book--though that was rare--it would at least be literary fiction.  I remember she really liked Foucault's Pendulum.  My muse had informed me that she had an IQ of 140 and the reading material in my house had darned well better match it, otherwise I was wasting her time.

Whewee.  That's why it was so surprising that she left me a stack of romance novels.  Romance novels?  That was a first.  It really didn't seem like her style, but maybe Pele enjoyed them.  They were singed around the edges as if a volcanic goddess had been at them.  Since they were quite warm to the touch, without further ado I tossed them in a corner and forgot about them.

I have to admit I was lonely without Seph even if it was more peaceful.  Then things began to get a tad scary.  I started waking up in the middle of the nights and it wasn't to write poetry.  I woke up because I felt like I was on a wheel of time turning slowly...slowly...coming to a halt.  With a shiver, I recognized that this had nothing to do with poetry.  It was The Sight.  Yes, folks, I believe in Second Sight.  Why shouldn't I?  My Nana's surname indicated very clearly that we are descended from Druids and all the teachings of the Church aside, we still have it.  The rational part of me has always wanted to deny it, but so many inexplicable things have happened that I can't.  We're weird.  Fey.  We KNOW things.  And I KNEW something, although I wasn't clear exactly what it was.  All I knew was that something was coming and it was bad.

It finally came in the form of a terminal diagnosis for my husband.  Leukemia.  The doctor didn't mince any words.  He could buy Dave some time, but the end was in sight.  I deduced that on her way to Hell and back, Seph must have encountered the Fates, busy weaving our mortal timelines on their immortal looms.  There was no bargaining with those three old hags.  Once they cut your yarn--poof.  That was it.  She knew I needed her, even if she was plenty steamed at me.

She paid a condolence call in November, three months before my husband died, leaving me what I didn't know was a last sonnet.  Not mentioning the books she had left, she gave me a sonnet she called Shadows:

Shadows

The thickened fur upon my slit-eyed cat
Speaks of winter to the attentive ear,
And I must up and pace the room, to hear
This wild autumn's broadside rip and slash
Wrenching the withered apple from the tree,
Tearing my heart to tatters all the while.
And I see the sadness in your smile,
Knowing your easy words are meant for me.

Tell me once more the beauties of the snow,
Tell me that spring will find me strong and sure,
Tell me what things you will.  I only know
That once I loved the slant of autumn sun,
Seeing now only how the shadows come
Sooner and longer than they came before.

COME BACK, LITTLE WENCHIE (PART THE THIRD)

Poor Wench.  She was gone for a really long time.  Years, in fact.  Her memory got buried under slag heaps of laundry, lofty snow-covered mountains of cleaning, metric tons of cooking.  Then there were the interminable dinner parties, entertaining, road trips, sick children, sick parents...not to mention a couple of jobs.  My husband had caught onto the fact that I had a muse and made her thoroughly unwelcome in our house.  There would be no more three a.m. pains with a poem.  Nope.  Not in his house.

Wench caught on.  When I next saw her she was a forlorn creature peeking around corners:

 I had never seen her so reduced.  All she could give me was the occasional  poem whispered in the middle of the night, sort of like two little girls hiding under the covers at a slumber party, whispering so they don't wake up parents.  Poor Wench.  There was no room for her in my house, so she went to Hell.

She finally burst into the house in the middle of the night, in flames, full of fury and spitting righteous indignation.  I recoiled in shock, because this time she was running actual streams of lava.  She was a SOUL ON FIRE and informed me in no uncertain terms that she was not Morrigan, she was certainly not The Wench, she was Persephone the Queen of Hell and I would address her as such.  Apparently Pele's patronage had given her a real jump up in life...or death...or wherever she had been.  Anyway, the most I could hope for was a truce.  I could call her Seph and, like The Terminator, SHE'D BE BACK.  And with that she stormed out, leaving me with the most awful feeling in the pit of my stomach that someday she was going to take revenge on me for banning her from the house.  It was only a matter of time.

Saturday, February 25, 2012

SEASON OF THE WENCH (PART THE SECOND!)

The Wench left me alone for several years after the blackbird incident.  She was always extremely fond of birds, as you see from her picture, so I wasn't quite clear about why she was so miffed.  It seemed she couldn't stay away, though.  She put in another appearance about the time I hit high school, though she was a little changed.  The crow was gone and so was the crescent moon on the forehead.  Her fingernails were bright red and sometimes dripped.  I thought she seemed a little smoky somehow, faintly singed around the edges, sort of like an overbaked cookie.  But she was being sweet and had brought a book of poetry, so I chalked it up to imagination.

Poetry it was then...then and for many years afterwards.  My mother had unintentionally abetted my muse's efforts by reading me such classics as Longfellow's "The Skeleton in Armor," about a ghostly knight in chain mail.  Having fallen on his sword for love of Lady Fair (I think she jilted him), the poor guy was doomed to spend eternity clanking around in his chain mail, trying to find her.  If Mom thought his spectre would frighten me, she was sadly mistaken.  I just developed a thing for guys in chain mail.  I'm still afflicted..

The Wench (I stopped calling her Morrigan when the crow left) helped me write sonnets, couplets, quatrains.  I was a talented classical poet, which of course wouldn't help much when that free verse thing took over, but for a time I did really well.  She was proud of my 100% publication rate and of course claimed all the credit.  But we were getting along, so I didn't dispute it or point out that I was the one up at 3 a.m. in pain with a poem while The Wench smoked a joint and got the munchies.  Or was that me?  I forget.  Well, if it was I never inhaled, anyway.

Then I began to notice...oh, dear...nothing was supposed to rhyme any more.  Other people were writing free verse. I was still hearing echoes of Edna St. Vincent Millay and Dorothy Parker, with quite a bit of Yeats thrown in since I was, after all, half Irish.  I was passe.  When I complained, my muse shrieked, scored up my bright, shiny pages of poetry with her drippy fingernails, thumbed her nose at me and vanished.

This time I felt her absence.  I was bereft.  So I got married.  Well, there were other reasons too, of course.  But the fact was that without The Wench hanging over my shoulder and shoving a pen in my hand, I finally had time to notice men and I married one of them.

That was all it took.  She came roaring back, proprietary as hell, and it suddenly occurred to me maybe Hell was where she had been.  That stuff dripping from her nails appeared to be...lava.  Her eyes weren't just smoky this time, they were burning coals.  She positively reeked of sulphur and there were holes burned in the bottom of her knee-high patent leather boots.  I had the temerity to question her (you could tell I was gaining confidence with a husband in the picture) and she peered haughtily down her aristocratic nose, informing me that she had been spending time with another goddess.  Specifically, Pele.  You know, the one for whom they used to throw virgins down volcanoes.  In Hawaii.  But I was in Pennsylvania, where there aren't any volcanoes, and marriage had taken care of that virginity thing, so I wasn't afraid for myself.  I just told The Wench, formerly Morrigan, that I thought she should be careful.  I didn't want her incinerated.  But she was  pretty much bowled over by Pele and didn't listen.

Silly Wench.

Friday, February 24, 2012

SOMETHING WICKED THAT WAY WENT - OR - "HAVE YOU SEEN MY MUSE?" - PART THE FIRST

This morning I had one of those chat loop/Facebook conversations authors sometimes have, in this case with Celtic author Maeve Greyson, who is having a book release. I'll leave it to Maeve to disclose that here if she cares to (did'ja get that, Maeve-me-girl?), but in the course of the conversation it evolved that the heroine of her latest book just gives her fits. The girl gives everyone fits, apparently. It's part of her charm.

The more Maeve talked about her heroine, Ciara, the more she reminded me of my muse.



My muse, otherwise known as "The Wench," appeared when I was five year old and trying to write my first book on my mother's shopping list. Tall, slender, with a crescent moon tattoed on her forehead and a crow perched on her shoulder, she scared the daylights out of me. She looked an awful lot like the Celtic Queen, Morrigan, and I knew this how? Well, because my Nana had read Irish myths and legends to me from the time I gave any indication that I could hear, of course. "You can never start 'em too young" was her motto and so I learned that Morrigan was the Great Queen - a Mothergoddess of the Irish Celtoi - the goddess of war, death, prophecy and passionate love.

War, death, prophecy and passionate love: did Nana have any inkling she was creating a romance writer? Yeah, probably.

Eventually I got used to The Wench hanging around, whispering sweet nothings in my ear. She was the one who helped me finish my first "book," which I recall was about a Hollywood stunt horse outrunning a brush fire in California, saving the life of the handsome actor who rode him in all his films. I think that was around the time I was in love with cowboy actors. The Wench humored me. She seemed to see promise of some sort in me. Sometimes she was even kind...until the day I tried to copy her by picking up a fallen baby blackbird which I named Downy. I fed Downy hamburger and hard-boiled egg yolk on the end of an eyedropper filled with milk, which I cleverly shot down her throat in between bites. I hauled her to Girl Scout camp in a carton so she didn't die of neglect. I let her ride around on my shoulder just like Morrigan's crow, though I took the precaution of wearing a length of shower curtain beneath her. I was obsessed with her, teaching her how to pick through grass for seed in preparation for leaving me someday to make her way in the wild. My mother was convinced I was going to become a veterinarian.

The Wench was pissed. I was envisioning myself as Dr. Doolittle instead of a romance writer. She split.

That was the first time my muse left me. It wouldn't be the last.

TOMORROW: Evolution of The Muse

Wednesday, February 22, 2012

NEW RELEASE - THE KING'S DAUGHTER BY MIRIAM NEWMAN

I was the King's daughter once, so many years ago that sometimes now it is hard to remember. Before the tide of time carried away so many things, so many people, it was worth something to be the daughter of a King.
Our little island nation of Alcinia was not rich, except for tin mines honeycombing the south. It wasn't even hospitable. Summer was a brief affair and fall was only a short time of muted colors on the northernmost coast where my father sat his throne at the ancient Keep of Landsfel. Winter was the killing time and spring was hardly better, with frosts that could last into Fifth-Month. But from the south, where men cut thatch in a pattern like the bones of fish, to the north where rock roses spilled down cliffs to the sea, it was my own.
One thinks such things will never change, yet all things do.
* * *
Thus begins the narrative memoir of Tarabenthia, born a princess in the land of Alcinia.  When the idyll of her childhood ends, she will defy her father, tipping the balance in a world poised on the brink of destruction and leaving history to judge her as heroine or harlot.

In a time of war, what would you surrender in the name of love?
***
Just released, available in pdf or on Kindle, coming in print:

All digital formats and Print 2/27/12:  http://rebeccajvickery.com/online-store.php
A multiple award winner, top ten finisher in Preditors & Editors poll for Best Romance Novel of 2008, re-releasing in print 2/27/12.

If you're a fan of fantasy historical romance, do not miss this one.

Wednesday, February 1, 2012

HAPPY IMBOLC

Today marks the Pagan celebration of Imbolc, in later Christian times known as Candlemas Day.  The Feast of Bride, as it was originally known, was one of the four fire festivals of the ancient Celts, the other three being Beltane, Lughnasadh and Samhain.  The transformation of Brigid the Exalted One--daughter of the Tuatha de Danaan and source of oracles--into St. Bridget I will leave to other tale-tellers.  Suffice it to say that the original Brigid, born in the Wolf Month of February, signified the coming of spring, bringing light into a dark world.  Her feast was timed to coincide with lambing season, a sure sign of new life, and Brigid was always associated with livestock as well as with the bringing of fire.  Her totem animals were two magical oxen and a wild boar which were said to give warning if Ireland was in danger.  And in Scotland, Highland wives invoked Brigid at their hearths.

Today, those wanting to honor the spirit of Brigid should spend the day housecleaning (!) and burning any leftover Christmas greenery, which is exactly what I am going to do when I finish this post.  Tonight I will leave the customary ribbon on my porch for a blessing from Brigid as she passes down my road with her oxen, unseen by mortal eyes.  After that, I may prepare some lamb stew and Bride's cake. 

 Bride's Cake

1 cup sugar
1 cup chopped walnuts
1 cup vegetable oil
1 cup raisins - some prefer golden raisins
1 cup flour
4 eggs
1 tsp. baking powder

Mix all the ingredients together, being careful not to overmix. Pour into a greased and floured 9"x9"x2" square baking pan. Bake at 350 degrees for 20-30 minutes, or until knife inserted in middle of cake comes out clean.  Cool before serving.
  

Saturday, January 28, 2012

CELTIC ROSE WRITERS

The Celtic Rose Blog has a new sister:  CelticRoseWriters.  This is a Celtic-genre Yahoo group open to all.  Promo is welcome.  Feel free to join us to chat, with book covers and excerpts, material for our files, just to read, whatever.  Drop in for coffee or tea--oh, sorry, you will have to bring your own--but let us know what you're drinking, even if it's something stronger.  We'll never tell!  Easiest way to get there:  go to www.yahoogroups.com and type CelticRoseWriters in the Search box.  It will bring up this pic of the Cliffs of Moher, where you can click and join!  Please let us know you're there.  Promo is welcome here at The Celtic Rose, too.  Just mail mrmireland@aol.com for permission to post.

Sunday, January 1, 2012

REVIEW OF THE SNOW BRIDE - BY LINDSAY TOWNSEND

"The Snow Bride" by Lindsay Townsend is the latest ebook release by a very talented British author whose settings range from ancient Egypt to Roman Britain, medieval Europe to Mediterranean locales, but nowhere has her writing disappointed me.

This book set in England during the Crusades is not specifically Celtic, but its depiction of black and white magic, witches and sorcerers, demons and familiars won it a place in my heart and on this blog.  Her name is more suggestive of a lingering Anglo-Saxon heritage, but Elfrida's "magicks" appeal to the Celt in me.  Sir Magnus is the lusty knight of yore and I could not resist him.  Battle-scarred and battle-wise, he is summoned by villagers whose brides--including Elfrida's sister--are being stolen by an evil phantasm--a Forest Grendel.  Although Magnus has long since accepted that his maimed limbs and scarred face make him unacceptable in any woman's bed unless he pays for the privilege, he is nonetheless captivated by the strong-willed white witch who offers herself as bait to the monster in an attempt to free her sister.  Saving Elfrida from her ill-thought-out plan, he falls in with it and in love with her, lending his redoubtable courage and shrewd battle skills to the cause.  I will not give you spoilers about the identity and motivation of the Forest Grendel, but Ms. Townsend's tale of these two lonely people joining forces to track him to his lair is non-stop, rich and lyrical.  Her voice is distinctive, her writing style a delight, and the ending is both satisfying and promising in that a sequel would be possible.

I would classify this novel as sensual but not erotic, with tenderly arousing sexual content which is essential to the story.  I give it four out of five Celtic Roses.  It is discounted until midnight, January 3 at Siren-Bookstrand.

NOTE:  This is an unsolicited review and a copy of the book was purchased by the reviewer.


PROMOTION:




JANUARY 1, 2012 - A (RARE) WORD FROM THE OWNER

I don't make New Year's Resolutions, but in terms of my blog I did try to come up with some new ideas for the New Year and here's one I hope you'll approve.  Just as I am no artist but simply told my husband (who was), "I only know what I like,"--well, so too with books.  I don't read many, don't have time, and I am not a book reviewer.  Still, I know what I like and have often tried to share space here with promotions for authors whose books I enjoy.  To carry that one step further, I'd like to give the occasional review--just my opinion, for what it's worth, unsolicited.  A review from the heart, in other words.  Understand that if I read a book and it isn't my cup of tea, my lips are sealed.  Our books are our children and I will not disparage your writing any more than I would your child.  Some people enjoy that.  I don't.

So know that I may pop in with the occasional review, in this case of books set somewhere in the Celtic world.  If it gives someone an idea for their next read, so be it.  There are no rules on this blog beyond those of good taste and friendship!  So to all my blog friends, may 2012 be for you a year of peace and prosperity.

Saturday, December 31, 2011

Saturday, December 24, 2011

A SEASON OF LOVE

                               www.thedarkcastlelords.com/season-of-love.htm

Wishing all our readers and contributors here at The Celtic Rose a season of peace, love and joy.

Merry Christmas

I want to wish everyone here at The Celtic Rose a Merry Christmas and a Happy New Year!
I hope 2012 brings you HEALTH, LOVE, and PEACE!!!!

God Bless!
Sarah Hoss

Tuesday, December 20, 2011

LOVING THE NORSEMAN BY KRIS TUALLA

Perhaps you have already viewed the trailer shown below this one.  "Loving the Knight"  is the prequel to Kris's  historical romance, "Loving the Norseman," shown here.  I have thoroughly enjoyed both books set in the ancient Scottish/Norse world.  I hope you'll get the same pleasure from watching her beautiful videos.

Monday, December 19, 2011

"NORWAY IS THE NEW SCOTLAND" - Books by Kris Tualla

Please enjoy this lovely trailer by Kris Tualla, author of the Hansen Series. For those who love historical romance in the Scottish/Norse setting of old, these are must reads.



Wednesday, December 7, 2011

THE KING'S DAUGHTER

Just want to share some happy news with my blog family.  This one is really special to me.  My fantasy historical romance, The King's Daughter, has been accepted by Victory Tales Press and will be re-released in February, 2012.  The book will be available in print this time and I will probably put my copy on my pillow and kiss it every night!  Honestly, I'm so in love with this book and hero that it's embarrassing.  What can I say?  It got 5+ reviews out the wazoo, so apparently some other people liked it, too.  If you didn't catch it first time out or want it in print, it will be available in February. 

The book is Book I of the Chronicles of Alcinia, the story of Tarabenthia, born to a dying queen and an ambitious king.  Tia is heir to the throne, but when the idyll of her childhood ends she defies her father, tipping the balance in a world poised on the brink of war--leaving history to judge whether she is heroine or harlot.  In a time of war, what would you sacrifice in the name of love?

Here's a peek at the cover by Laura Shinn:


If you like historical fantasy in settings reminiscent of Ancient Rome and Roman Britain, I hope you'll consider giving this one a try when it's available.  But in any case, enjoy Laura's cover!  :)

Friday, November 25, 2011

Happy Thanksgiving

I hope that all of you here at The Celtic Rose had a wonderful, blessed Thanksgiving surrounded by love, family, and friends. May God bless you the rest of the year as well!!!!!

Love,
Sarah Hoss

Wednesday, November 23, 2011

HAPPY THANKSGIVING!

WISHING ALL WHO OBSERVE A WARM, WONDERFUL AND SAFE HOLIDAY FILLED WITH HAPPY MEMORIES.

Friday, November 11, 2011

Glancing Through the Glimmer / Pat McDermott

Greetings to everyone here at The Celtic Rose, and special thanks to Miriam for her hospitality today, the release day for Glancing Through the Glimmer. I'm Pat McDermott, author of the "Band of Roses" trilogy*, romantic action/adventure novels set in an Ireland still ruled by the heirs of High King Brian Boru.

Glancing Through the Glimmer is the young adult "prequel" to this trilogy. Don’t let the young adult label put you off! Readers of all ages will enjoy "Glimmer"—as long as they love Irish myths, adventure, romance, and a hefty wallop of fairy magic. (On Sunday, I’ll randomly choose one commenter to receive a PDF copy of the book. Please leave your email address if you’d like a chance to win.)

So where did the title come from? Glancing Through the Glimmer is a phrase from The Fairy Thorn, an old Ulster poem by Sir Samuel Ferguson that begins innocently enough:

Get up, our Anna dear, from the weary spinning-wheel;
For your father's on the hill, and your mother is asleep;
Come up above the crags, and we'll dance a highland-reel
Around the fairy thorn on the steep.

Don’t listen, Anna! Everyone knows if you dance around a fairy thorn, the fairies will steal you away. Especially in County Galway, the home of Finvarra, King of the Connaught Fairies. Finvarra loves to dance, as American teenager Janet Gleason learns to her dismay.

The Blurb:

In the modern Kingdom of Ireland, few mortals believe in the fairy folk. Without that belief, the fairies are dying. Finvarra, the King of the Fairies, would rather dance than worry—but he must have a mortal dancing partner.

When Janet Gleason’s grandfather becomes the new U.S. Ambassador to Ireland, the sixteen-year-old orphan must leave Boston and her friends behind. Janet is lonely in Dublin and unused to her grandparents’ stuffy social life. An invitation to a royal ball terrifies her. She can’t even waltz and dreads embarrassment. Finvarra’s fairy witch overhears her fervent wish to learn to dance.

Seventeen-year-old Prince Liam Boru loathes the idea of escorting another spoiled American girl to a ball. In fact, he detests most of his royal duties. He dresses down to move through Dublin unnoticed and finds himself on his royal backside when Janet crashes into him. Intrigued, he asks to see her again, and she willingly agrees. Unaware of each other’s identities, they arrange to meet. When they do, the fairies steal Janet away. Liam’s attempts to find her trigger a series of frustrating misadventures. Can he and Janet outwit a treacherous fairy king who’s been hoodwinking mortals for centuries?

The Excerpt - The stunning Cliffs of Howth provide the setting for Janet and Liam’s memorable first date:

The first time Liam slipped and fell, he cursed the rain-damp grass. He blamed his second tumble on his haste to catch up with Janet. What on earth had possessed the girl to run off like that? She couldn’t possibly want to find music that badly.

Music only she could hear.

The third time he lost his balance, he’d swear someone had pushed him, but no one was there. He landed on his hands and knees and cursed again. He might not be a muscleman, but he was far from a clumsy dolt. A lifetime of sports and outdoor treks had surely left him fit enough to climb a scrubby little hillside.

Something strange was afoot.

I’m being ridiculous.
The breeze must have kept him from hearing the music she heard. She’d likely gone after the owner of whatever was playing the tune to learn its name.

Yet the Nose of Howth seemed deserted. How odd for a sunny Sunday morning. Even if Janet had gone off seeking the source of the music, no amount of rationalizing could explain why she’d left so abruptly. The chilling sense that she was in danger had Liam’s heart thumping high in his throat.

Should he call his cousin? If Kevin was still on the pier, it would take him a while to get here. And practical Kevin would surely think Liam astray in the head.

Maybe he was, but something told him he had to find Janet, and fast. Keeping close to the ground as if he were dodging radar, he clambered monkey-like up the hill. This time he reached the top of the rise. Lumps in the landscape surrounded him, clumps of rock and rolling masses of heather and gorse that encircled the level spot where he stood. He knew the place well. Except for the curious lack of weekend hill walkers, nothing seemed amiss.

"Janet!"

He listened hard. A seagull cried in the distance. Otherwise, all was silent. No, wait! Music drifted toward him, a plucky harp tune he might have enjoyed under different circumstances.

Was that what Janet had heard?

Where was it? He turned in a circle, squinting in the sunlight, scanning, straining to hear. When he returned to the spot where he’d started, a jolt of fear set his pulse racing.

A round stone hut had appeared on the highest part of the clearing. Its low thatched roof rose to a ridiculously high point. It resembled a roundhouse, the sort of dwelling that belonged in a prehistoric ring fort.

Or a fairy fort.

Liam swallowed hard. He’d seen replicas of such huts in Ireland’s folk parks. He’d also viewed ruins of the original ring forts, all that remained of the structures built by the mysterious peoples who’d lived and died in Ireland thousands of years ago.

Where had this one come from? Why was it on the Nose of Howth? Liam had never seen it before, nor had he heard of any gimmicky tourism plans for the cliff walk. Of course, he didn’t know everything. Convincing himself that he’d failed to see the hut at first because the sun had blinded him, he ventured toward the structure.

He spotted a doorway and relaxed. Janet was there, speaking to a woman wearing a period costume, medieval or older. That’s what it was, he thought: tourism come to tarnish Howth. How could Uncle Peadar have allowed such nonsense?

Liam called Janet’s name again, but neither she nor the woman showed any sign that they’d heard him. The wind must have carried his voice away. He stalked toward the roundhouse. As he approached, the costumed woman placed a necklace over Janet’s head.

The roundhouse flickered, faded, and reappeared. Alarmed, Liam stopped. This was no tourist gimmick. As his thoughts scrambled for an explanation, the woman grabbed Janet’s arm and pulled her into the hut.

"Janet, no!" His ferocious roar proved useless. Unbelievably, the roundhouse began to dissolve. No longer doubting his horrified senses, he dove at the hut and charged through the disappearing door.

The world around him melted away.

* * * *

A Little About Me:

I’m a Massachusetts native from a Boston Irish family whose music and myths have crept into my writing. One of my short stories earned an Honorable Mention for children’s fiction in the 74th Writer’s Digest Annual Writing competition. ‘Twas a big boost for my confidence! I'm a member of the New Hampshire Writers' Project, the Seacoast Writers' Association, Romance Writers of America, and Celtic Hearts Romance Writers. My favorite non-writing activities include hiking, reading, cooking (check out my cooking blog, below), and traveling, especially to Ireland. I’d love to live there some day, but for now, I call the New Hampshire seacoast home. Currently, I'm working on reuniting Janet and Liam in Autumn Glimmer, the Samhain sequel to Glancing Through the Glimmer.

A Little More:

My Web site: www.patmcdermott.net

Put the Kettle On (My Writing/Travel Blog):  http://pat-mcdermott.blogspot.com/

My Facebook page: http://www.facebook.com/home.php?#!/pat.mcdermott1

Facebook page for Glancing Through the Glimmer (feel free to "Like" it!):
http://www.facebook.com/home.php?#!/www.patmcdermott.net


MuseItUp Publishing Bookstore Page to purchase Glancing Through the Glimmer:
https://museituppublishing.com/bookstore2/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=224&category_id=69&option=com_virtuemart&Itemid=1

Kitchen Excursions (My Cooking Blog):  http://kitchenexcursions.blogspot.com/

* * * *
*The Band of Roses Trilogy is currently unavailable. MuseItUp Publishing will publish A Band of Roses (May, 2012) and Fiery Roses (August, 2012) as re-releases. Salty Roses will make its piratical debut in November, 2012.

Tuesday, November 8, 2011

GOOD THINGS ARE COMING



Be sure to join us on Friday, November 11 when author Pat McDermott will be showcasing a new release.  I'm not giving away the show, just...be here!  :)  Pat is one of my personal favs, not just as an author but as a human being.  Everything she touches is gold, her historical research is second to none, and I know her book will rock.

Please stop in on Friday at The Celtic Rose.

Wednesday, October 19, 2011

THE HEART OF A CELT

With our modern holiday Halloween approaching, I thought this might be an appropriate time to remember that it found its origins in the ancient Celtic festival, Samhain.  But did you know this was only one of four fire festivals?



"The heart of a Celt is a heart of fire."

This quote from--ahem--one of my own books is as close a truth as I know, because the four Fire Festivals of the ancient Celts still live in our own time...and perhaps, for many of us, in our hearts.

The ancient Celtic calendar reckoned days from sunset to sunset. For this reason most--but not all--festival bonfires were lit as the sun set.

Samhain, our present-day Halloween, was the beginning of winter and also, coincidentally, a festival of the dead when the veil between this and the Otherworld was considered so thin that spirits and mortals could meet. At least in part to prevent dangerous straying, communities gathered around huge bonfires lit on the night of Samhain.

Imbolc, celebrated from February 1 - 2, was considered the beginning of spring. It was and still is the beginning of lambing season; my large animals veterinarian, Missy, spent one semester during vet school in Scotland, delivering lambs.

Beltane later became our modern May Day. Cernunnos, the horned god of Ireland, was held to have died and been reborn on Beltane, which was an unabashed fertility rite. In ancient days, it was also the time cattle were driven out to pasture until autumn. The bonfire lit for Beltane was a mark of joy at the return of the sun...and the return of Cernunnos.

Finally, Lughnasadh was the feast of the god Lugh and celebrated from July 31 - August 1. It was traditionally the time when spirits began to be distilled for the coming year. Even today in the British Isles, many distilleries close for the month of August and reopen on September 1. As you sip a good whiskey from those parts, give a tilt of the hat to Lugh--that is, if you can remember where your head is. After a morning of whiskey-tasting at Jameson's Distillery in Ireland, I couldn't!

The traditions still live in many of us. You have but to scratch the surface to find the ancient Celt beneath.