Showing posts with label Miriam Newman. Show all posts
Showing posts with label Miriam Newman. Show all posts

Sunday, October 7, 2012

THE VIKING LIFE



My romance about Vikings in Ireland, The Eagle's Woman, has gotten 5-star reviews from both readers and professional reviewers since it was released on August 2.  Recently I returned from a trip to Ireland where I did research for Book Two, The Eagle's Lady.  I was expecting horrendous weather, but actually we had only one day when a gale was blowing.  Of course it was the one when I visited the Cliffs of Moher, towering 300 feet above the Atlantic Ocean!  I have stood on those cliffs on calm days, but no way was I going out in an 80-km. gale, so I lived to write my sequel.  :)

Cliffs of Moher
 ****

My research into the first book of The Eagle series was mostly set against the stark, cold coast of Norway.


   I had had the plot in the back of my mind for quite some time, but what did I know about Vikings?  I was amazed and a little intimidated when I realized just how much work bringing about that back-of-my-mind dream was going to entail.  I knew about the Viking longships, the Berserkers…I even had a notion about how their concept of trial by judge would filter down into English Common Law via the Norman invasion to become our modern trial-by-jury. 
But I didn’t know much about the private code of conduct so integral to Viking life.  Viking society was permeated by the notion of honor, or drengskapr, and shame, or nior.  In stark contrast to our present-day image of heated Berserker frenzy in battle, the Viking in his private life was valued for self control, bravery, generosity, sense of fair play and respect for the right way of doing things.  A stoic and imperturbable manner was considered highly honorable.  Cowardice, treachery, kin-killing and oath-breaking constituted dishonorable, shameful behavior that could even result in temporary or permanent banishment.  Taunts issued through—of all things—poetry could get you outlawed (the Irish bards were pretty vicious, too), and accusing another man of effeminate behavior was signing your own death warrant.  Viking law allowed for lethal reprisal.
Matters of honor were often settled by duel with swords, spears and axes. 

 This took place before witnesses in the context of a carefully orchestrated ritual.  In Iceland, men were required to duel within the area which could be covered by a cloak, often on a small island in a river, which prevented retreat or interference.  The first man to become disarmed was the loser.  If his opponent then cut him down, he could be outlawed, which meant he was banished and was essentially free game to anyone who wished to kill him, and someone usually did.  Quite a difference from our image of the out-of-control raider decimating peaceful villages, isn’t it? 
           That wasn't the only surprise I found and you will see some of these illustrated in the character of Ari Bjornsson, second son of an impoverished, dying jarl.  Pagan himself, still he spares priests though he sells them as scribes.  He's a heathen, a murderer, and it is a sin for any Christian woman to love him.  Yet when he abducts Maeve from her peaceful Irish fishing village, he may have found the only one who can. 

SEE “THE EAGLE’S WOMAN” AT THE FOLLOWING LINKS:



Friday, September 28, 2012


Five Stars for The Eagle's Woman

Miriam Newman is currently somewhere in western Ireland, doing research for the sequel to this new release The Eagle's Woman. In her absence, her friends have been allowed to go "behnd the scenes" of this blog to post celtic-themed articles.

What better article to wish Miriam "bon voyage" and to celebrate her latest book? This is a review published by YouGottaRead Reviews on September 28, 2012--in time for her leaving for the shores of the emerald isle--and we publish it here on her own lovely blog.

Review – The Eagle’s Woman By Miriam Newman
SEPTEMBER 28, 2012 
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Title: The Eagle’s Woman
Author: Miriam Newman
Publisher: DCL Publications
Buy Link: http://www.amazon.com/The-Eagles-Woman-ebook/dp/B008RZD4Q2/ref=sr
Rating: pastedGraphic_1.pdfpastedGraphic_2.pdfpastedGraphic_3.pdfpastedGraphic_1.pdfpastedGraphic_3.pdf You Gotta Read

Blurb:
Son of an impoverished, dying Norse chieftain, Ari raids for booty and slaves so he can feed his people. Pagan himself, still he spares priests though he sells them. He’s a heathen, a murderer, and it is a sin for any Christian woman to love him. Yet when he abducts Maeve from her peaceful Irish fishing village, he may have found the one woman who can.

Review:
Reading The Eagle’s Woman was to me like sipping a rare wine. The taste, the aroma, the heady fire of the words–I wanted the sensation never to end. Ah, Miriam Newman, you are the keeper and dispenser of poetic prose. You make me drunk with the pleasure of reading.

Like the two other novels by Newman I have read, The King’s Daughter and Scion, this latest one focuses on one powerful man and the woman he has come to “own.” And like those two books, the man is strong, resilient, even sensitive; while the woman keeps herself at an ironic distance, measuring and unyielding, yet irresistibly drawn to him.
Unlike those previous novels, which were set in almost fantasy universes, The Eagle’s Woman takes place in a setting cold, beautiful and real–the ninth-century Norway of the Vikings. Newman describes longships on the rough sea, steamy sauna baths and fire-lit longhouses with the sureness of a writer who has been in those very places.

Ari is a Viking whose latest foray has captured Irish slaves for selling in Denmark. Among the women is Maeve, a gold-haired beauty who fights her captivity from the beginning as she is almost raped by one of the rude plunderers. She fights her confinement on the longship, and most of all she fights the nearness to Ari, to whom she now belongs by right of seizure.  Even while struggling against him, she finds herself conflicted emotionally, seeing his compelling body and handsome face: “Well, he was a beautiful man, that was all. A beautiful, savage, murdering heathen.”

Ari himself is larger than life, almost like the majestic figurehead we imagine on the prow of a proud Viking ship. He is utterly enraptured by Maeve. Gazing on her, “His parts ached with immediate urgency." At first he will not abuse her because he plans to sell her in Hedeby, a Danish port and center of a thriving slave trade. Later, as he begins to understand his own needs, he will not force her because he feels an honest admiration, and he respects her fighting instinct: “You could not put your heart in a woman’s hands. It was like handing a razor to a child–they would only cut it out without meaning to.”

The pace of the novel is swift and sure. The author takes us from the longship to Ari’s home in Norway; and from there to a distant coastline where Maeve has been brought as a captive again–this time by Ari’s malevolent half-brother.

At last Newman moves the reader to a long-awaited consummation of her characters’ passions, until finally Ari murmurs to his woman: “I want inside you. All of me, inside all of you.”

Here’s to beautiful writing, and to a satisfying love story. I raise my glass to you, Miriam Newman, and to your latest triumph The Eagle’s Woman.

Monday, September 3, 2012

The Celtic Tree of Life







The Celtic Tree of Life

    By Miriam Newman and Erin O'Quinn                                            





Erin O’Quinn: Some months back, when I was writing the final chapters of my historical WARRIOR, RIDE HARD, I wrote a passage that hit me today like “déja vu all over again.” I had the immigrants to Derry choose a huge old oak tree as the spot to build their church. Gristle, the head of the expedition who had guided the people to that spot, removed a portion of the rugged bark and inscribed a slash mark to note “day one” of the settlement. It was here that the people built a large clay-and-wattle roundhouse that served as the Church of Derry.
Imagine my surprise when I read the following passage this morning from the internet source THE SACRED CELTIC TREE OF LIFE:
When a tribe cleared the land for a settlement in Ireland, they always left a great tree in the middle, known as the crann bethadh (krawn ba-huh), or Tree of Life, as the spiritual focus and source of well-being. They held assemblies and inaugurated their chieftains beneath it so that they could absorb power from above and below. . . .
 Even though I had no knowledge of the tradition, I naturally selected that old oak to be the spiritual center of a settlement whose very name Daire comes from the Irish Gaelic word for  “oak.” My friend Miriam would tell me that the spirit that moved me to select that oak is the same spirit that drove people from time immemorial to place their spiritual center at or in a tree.

That same internet article on the tree of life goes on to say: From its roots drinking the waters of the Earth to its leaves reaching to the gods, such a tree was considered magical.  The largest such tree in the middle of any settlement was invariably left standing and venerated. So respected was its power that the greatest ignominy warriors could inflict on a defeated village was to cut down their sacred tree, removing the life force from an entire group of people.

Miriam Newman: The druids of the lands we call “celtic” held trees in just such a place of sanctity. But the concept is an ancient one, and it transcends both countries and religious beliefs. I think that those of you who have some knowledge of the Jewish kabbalah will see a resemblance between the two images below:


Art by Katelyn Mariah
Both are modern images.  The one above is a representation of how the druids connected numerals written in the ancient ogham style with different trees. The one on the right is a sketch by artist Katelyn Mariah from her blog “Medicine Woman Art,”  a rendition of the kabblalistic tree of life. Both emblems are heavy with mystic connotations, but the message is clear nonetheless. The spiritual center is a tree, whose symbolism we understand on an almost subconscious level.
Many people have remarked on the fact that the well-known “celtic knot’ is a kind of tree of life itself, with roots and branches interwoven into an inextricable knot that echoes the endless cycle of life.
The imaginative tapestry below is a marvelous reflection of this immortal cycle, as the celtic knot becomes the root of the tree itself:

Note the similarity between the celtic knot tapestry above and this beautiful rendition of how the tree canopy echoes its roots:

It’s not much of a stretch to see how artists have seen the human form integrated with that of the tree of life:








I think the whole elemental concept of trees–their roots sunk into the Earth, drinking its knowledge–was so sacred to the druids that we feel that power even in our times.  I believe the tree of life was simply that–the symbol of this life or any other. It was all the same to the druids. Nothing was ever lost, only changed, just as the water of the earth became the leaves that sheltered it. A very simple concept, really, yet so profound it represented an entire civilization.

The Druid Stone in Austria

Thursday, March 29, 2012

BLOGGNG TODAY WITH KAREN MICHELLE NUTT

I'm blogging today with good friend Karen Michelle Nutt about Ireland, my pesky muse and my book The King's Daughter.  Hope some of you can join us at www.kmnbooks.blogspot.com

Friday, March 23, 2012

READER REVIEW

I was very touched to receive an unsolicited reader review for my book the King's Daughter.  Thanks to Erin O'Quinn for permission to post in its entirety since no link is available:


At first I shook my head at the unfamiliar place names (Landsreel, the Alcinic Ocean) and the mention of several mysterious beings (the Holy Sisters, the Goddess, the High Born). Then, by the time I had read the second chapter, I was fully swept up in the intricately described life of Tia, the young daughter of the king who is to be used as the pawn in her father’s desperate attempt to save and perpetuate his kingdom. 
I always appreciate subtle detail that also sets place and mood, and Miriam is very good at it. Read, for instance, this description of riders now dismounted, leaving the royal stables: “men crested in a wave through the front entrance, boots hammering the floor, bearing the mixed scent of sweat, leather, and horses with them. . . . I heard varying thuds of greater and lesser buttocks meeting chairs, the solid sound of drinking vessels on the wooden table, and then silence.” Combine those details with the images of honey-cakes, bathing tubs, verbena soap; and this particularly well-imagined detail:  “Andun threw back his chair so hard it left curls of wax in the freshly-polished floor.”
Detail by detail, Miriam builds her setting. By the time the book opens on chapter 4, I am hollow-throated along with Tia, wondering how the king could consign this lovely young girl to the embraces of a man “thrice her age.”
I can tell already that this book will be a page-turner and a tale intricately wrought as a medieval tapestry. I will continue my comments later. For now, let this introduction be enough for a while to persuade you to buy The King's Daughter by Miriam Newman.

Monday, March 19, 2012

AND YET ANOTHER CONTEST - AT MANIC READERS


Today, 3/19, I blogged at Manic Readers about Heart of the Earth, Book II of The Chronicles of Alcinia.  This is the sequel to The King's Daughter, Book I of the piece.  There is a contest for a free pdf or Kindle copy of the book.  You can find this contest at http://manicreaders.com/blog/index.php/2012/03/heart-of-the-earth-with-giveaway-by-miriam-newman

Friday, March 9, 2012

CHAT TONIGHT AT LOVE ROMANCES CAFE

I will be at a 7 - 9 p.m. chat tonight Friday, March 9 at loveromancescafe@yahoogroups.com with authors Kate Hofman, Susan Blexrud and Denise Alicea.  We will have plenty of free books including my new release The King's Daughter as well as contemporary, historical, paranormal, fantasy, futuristic and YA.  I hope some of you can stop by.  If you're not currently a member of LRC, you can use the address above to join for the chat.

Miriam Newman

Tuesday, February 28, 2012

COME BACK AGAIN TO IRELAND

In the interest of having this done so no one has to blog backwards, and giving you the HEA, I am finishing up today this spontaneous autobiography which shows one evolution of a writer.  Do you have your own story?  Feel free to leave particulars under Comments.  I think it's always fascinating to read what gave authors their drive to publish.  My muse was instrumental in mine and even though we have a love/hate relationship, I think it's worth it:


I read those books Seph left me, after all.  In the middle of the nights, when I awoke now because it was time to administer another IV, I read them to the accompaniment of the drip/drip of the IV pump.  The house was otherwise silent because my husband was only semi-conscious, being kept alive by the power of those drips, and I needed a book for company.  Nothing too heavy, mind you.  I didn't want to be too distracted in case the dripping stopped...or his heart did.
So I read away the nights:  Johanna Lindsay, Bertrice Small, Laura Kinsale.  There were too many others to name.  They consumed my time and my mind, or what was left of it.  In accordance with my husband's wishes, I had opted to pursue the euphemistically-termed "home death."  The social worker warned this would take a terrible toll on me, but I knew that.  I was a social worker, too.  I told myself I was ready for it.
Dave's heart finally stopped early one evening in March.  Dear friends sat with me as we played the classical music he loved and ate the pizza he loved, too.  We told ourselves that he would have wanted it that way, and I knew he would.  Dave wasn't into mourning.  His little dog lay on the bed with him until the end, and I did too, and then it was over. Just before spring.  Just as Seph had told me it would be.
I wondered if Seph would come to the funeral, but she didn't  She had never been welcome in that house, only sneaking down the flue or through a crack in the window whenever she could get in, and I guess she decided if she wasn't good enough for Dave in life she surely wasn't good enough for him in death.
Now that I had the time for her, I had no muse.
I stayed busy.  There were things to do, many things.  And bills to pay, many bills.  Oh, and I had surgery three times.  Yeah, I had been pretty busy while my husband was dying, too busy to take care of my own health, and I paid the price.  Big time.
Eventually things settled down.  Way down.  There was still no muse, my time was very much my own and I lost track of it.  I lost track of a lot of things.  When I looked in the mirror, I looked just like Seph the last time I had seen her.  Burned.
A strangely haunting tune began whining away in the back of my mind, never quite getting to the front but always there just like those voices my mother had heard.  Uh-oh.  Those voices had nothing to do with Second Sight.  There was a difference between The Sight and clinical depression or worse.  Jeez Louise.  Was I going to end up like my mother?
Well, apparently not if my Nana could help it.  Years before, Nana had told me I would have a hard life.  That wasn't difficult to predict, seeing that I had a mother with essentially untreated bipolar disorder.  They really weren't into calling it that in those days.  Then it was called Manic Depression and treated with Lithium, only Mom couldn't tolerate Lithium because it was hard on the kidneys and she had already damaged hers with heavy alcohol consumption.  Then the doctor recommended shock therapy, but my father said if he wanted his wife electrocuted he could just give her a fork to stick in the toaster.  No electro-shock, though from what I heard of it in later years I decided probably Dad was right.
In any case, Nana had told me when everything seemed to be lost to go to Ireland and I would find my way again.  I was just enough my mother's daughter to listen.  My father's genes protested furiously that I would be wasting my time--not to mention all that money!--but between the sage counsel of my grandmother and the psychotic delusions of my mother I was just wise enough and just crazy enough to get on a plane bound for Ireland, where I didn't know a soul.  Or at least that's what I thought.
That music in the back of my head had been Celtic music, and I knew even before the plane touched down at Shannon that I was home.
Ireland saved my sanity, though at first it didn't seem that way.  At first it was a matter of sitting in The Laurels Pub in Killarney, a wonderful place I remember with great fondness except that I nursed too-numerous mugs of Guinness stout there.  My fault entirely.  I didn't even like Guinness.  Mom had liked rye and vodka.  Oh, man, did she like vodka--which was probably why I avoided it.  But the end result would be the same.  I was avoiding mirrors again because I didn’t like the way I looked.  Unlike my mother, though, I had an innate ability to “just say no.”  So I did.  I started drinking what the Irish call fizzy water--seltzer water--with lime.  And Pepsi with lemon.  And then because my mad escapade hadn't left me with enough money to buy a laptop, I bought a bunch of yellow legal pads a la J.K. Rowling and went to find Seph.  I damn well knew she was in Ireland.  She had to be.  Why else had I come?
I found her in a peat bog.  A peat bog?  Oh, well, I guessed that was appropriate.  And oddly enough--just like me, once I just said no--she looked healed.  She looked...peaceful.  No more drippy lava, no  sparking eyeballs.  She smiled and pointed to the yellow legal pad in my hand and then to a sheep pasture overlooking the Aran Islands and the Atlantic Ocean my grandmother had crossed to get to America.  OK, maybe I would just sit there and try to write.
My pen hit the paper and I started:

"I was the King's daughter once, so many years ago that sometimes now it is hard to remember. Before the tide of time carried away so many things, so many people, it was worth something to be the daughter of a King.
"Our little island nation of Alcinia was not rich, except for tin mines honeycombing the south. It wasn't even hospitable. Summer was a brief affair and fall was only a short time of muted colors on the northernmost coast where my father sat his throne at the ancient Keep of Landsfel. Winter was the killing time and spring was hardly better, with frosts that could last into Fifth-Month. But from the south, where men cut thatch in a pattern like the bones of fish, to the north where rock roses spilled down cliffs to the sea, it was my own.
“One thinks such things will never change, yet all things do."

What the hell?  That was no poem.  I looked up, startled, and there was Persephone, black hair gleaming against her red gown.  Still no lava although her nails were still bright red.  With one of those gleaming, lacquered nails, she pointed imperiously to my paper and said one word.  "Write."
I wrote until I had 130,000 words.  And then I wrote another 103,000 words.  The first book I called, "The King's Daughter."  The second book, its sequel, I named "Heart of the Earth."  And then, like my grandmother, I crossed the Atlantic Ocean to America.
I got on a plane and flew back to America, since unlike my muse's crow and my blackbird I had no other way to get there.  Nana had come by steamer (first class, of course, with her mother's china), but those days were gone.  Now Aer Lingus took me back to New York, where I can't say I was especially glad to be.  The air pollution made my eyes as red as Wench … er … sorry … Persephone’s at her worst.  I did get to spend time at the Metropolitan Museum of Art, hanging out with guys in mail, which almost made it all worthwhile.
I got a computer.  I got an email address which I had to abbreviate from my friends' whimsically-inspired "Miriam's in Ireland."  I tried to get a publisher.  Or an agent. BUWAHAHA!  We all know how easy THOSE are to get.  I didn't know diddly.  I especially didn't know if you tell them you're a poet they run screaming in the other direction.  Our reputation precedes us.
Persephone was no help.  Apparently she had stayed in Ireland.  Finally, since I had concluded writing romance took a high degree of skill and maybe I was missing something, I joined Romance Writers of America and Valley Forge Romance Writers.  Then I got online and an editor found me.  Seriously.  She read my first paragraphs, then my first chapters, then the whole bloody book--in one night--and then she wanted it.
That was The King's Daughter, presently available on my web site www.miriamnewman.com.  The sequel is there, too.
Once I signed the contract, Seph came back.  She really is a wench, but all is forgiven because she brought another nine books with her.  Ten, if you count the one I'm writing now.  It’s set in Norway.  Now do you suppose if I went to Caithness, northernmost point in Scotland, from where a ferry leaves most days for Norway, and I took a yellow legal pad and…
”SEPH!  COME ON!  WE’RE LEAVING!”

Miriam Newman


Sunday, February 26, 2012

COME BACK, LITTLE WENCHIE (PART THE THIRD)

Poor Wench.  She was gone for a really long time.  Years, in fact.  Her memory got buried under slag heaps of laundry, lofty snow-covered mountains of cleaning, metric tons of cooking.  Then there were the interminable dinner parties, entertaining, road trips, sick children, sick parents...not to mention a couple of jobs.  My husband had caught onto the fact that I had a muse and made her thoroughly unwelcome in our house.  There would be no more three a.m. pains with a poem.  Nope.  Not in his house.

Wench caught on.  When I next saw her she was a forlorn creature peeking around corners:

 I had never seen her so reduced.  All she could give me was the occasional  poem whispered in the middle of the night, sort of like two little girls hiding under the covers at a slumber party, whispering so they don't wake up parents.  Poor Wench.  There was no room for her in my house, so she went to Hell.

She finally burst into the house in the middle of the night, in flames, full of fury and spitting righteous indignation.  I recoiled in shock, because this time she was running actual streams of lava.  She was a SOUL ON FIRE and informed me in no uncertain terms that she was not Morrigan, she was certainly not The Wench, she was Persephone the Queen of Hell and I would address her as such.  Apparently Pele's patronage had given her a real jump up in life...or death...or wherever she had been.  Anyway, the most I could hope for was a truce.  I could call her Seph and, like The Terminator, SHE'D BE BACK.  And with that she stormed out, leaving me with the most awful feeling in the pit of my stomach that someday she was going to take revenge on me for banning her from the house.  It was only a matter of time.

Saturday, February 25, 2012

SEASON OF THE WENCH (PART THE SECOND!)

The Wench left me alone for several years after the blackbird incident.  She was always extremely fond of birds, as you see from her picture, so I wasn't quite clear about why she was so miffed.  It seemed she couldn't stay away, though.  She put in another appearance about the time I hit high school, though she was a little changed.  The crow was gone and so was the crescent moon on the forehead.  Her fingernails were bright red and sometimes dripped.  I thought she seemed a little smoky somehow, faintly singed around the edges, sort of like an overbaked cookie.  But she was being sweet and had brought a book of poetry, so I chalked it up to imagination.

Poetry it was then...then and for many years afterwards.  My mother had unintentionally abetted my muse's efforts by reading me such classics as Longfellow's "The Skeleton in Armor," about a ghostly knight in chain mail.  Having fallen on his sword for love of Lady Fair (I think she jilted him), the poor guy was doomed to spend eternity clanking around in his chain mail, trying to find her.  If Mom thought his spectre would frighten me, she was sadly mistaken.  I just developed a thing for guys in chain mail.  I'm still afflicted..

The Wench (I stopped calling her Morrigan when the crow left) helped me write sonnets, couplets, quatrains.  I was a talented classical poet, which of course wouldn't help much when that free verse thing took over, but for a time I did really well.  She was proud of my 100% publication rate and of course claimed all the credit.  But we were getting along, so I didn't dispute it or point out that I was the one up at 3 a.m. in pain with a poem while The Wench smoked a joint and got the munchies.  Or was that me?  I forget.  Well, if it was I never inhaled, anyway.

Then I began to notice...oh, dear...nothing was supposed to rhyme any more.  Other people were writing free verse. I was still hearing echoes of Edna St. Vincent Millay and Dorothy Parker, with quite a bit of Yeats thrown in since I was, after all, half Irish.  I was passe.  When I complained, my muse shrieked, scored up my bright, shiny pages of poetry with her drippy fingernails, thumbed her nose at me and vanished.

This time I felt her absence.  I was bereft.  So I got married.  Well, there were other reasons too, of course.  But the fact was that without The Wench hanging over my shoulder and shoving a pen in my hand, I finally had time to notice men and I married one of them.

That was all it took.  She came roaring back, proprietary as hell, and it suddenly occurred to me maybe Hell was where she had been.  That stuff dripping from her nails appeared to be...lava.  Her eyes weren't just smoky this time, they were burning coals.  She positively reeked of sulphur and there were holes burned in the bottom of her knee-high patent leather boots.  I had the temerity to question her (you could tell I was gaining confidence with a husband in the picture) and she peered haughtily down her aristocratic nose, informing me that she had been spending time with another goddess.  Specifically, Pele.  You know, the one for whom they used to throw virgins down volcanoes.  In Hawaii.  But I was in Pennsylvania, where there aren't any volcanoes, and marriage had taken care of that virginity thing, so I wasn't afraid for myself.  I just told The Wench, formerly Morrigan, that I thought she should be careful.  I didn't want her incinerated.  But she was  pretty much bowled over by Pele and didn't listen.

Silly Wench.

Friday, February 24, 2012

SOMETHING WICKED THAT WAY WENT - OR - "HAVE YOU SEEN MY MUSE?" - PART THE FIRST

This morning I had one of those chat loop/Facebook conversations authors sometimes have, in this case with Celtic author Maeve Greyson, who is having a book release. I'll leave it to Maeve to disclose that here if she cares to (did'ja get that, Maeve-me-girl?), but in the course of the conversation it evolved that the heroine of her latest book just gives her fits. The girl gives everyone fits, apparently. It's part of her charm.

The more Maeve talked about her heroine, Ciara, the more she reminded me of my muse.



My muse, otherwise known as "The Wench," appeared when I was five year old and trying to write my first book on my mother's shopping list. Tall, slender, with a crescent moon tattoed on her forehead and a crow perched on her shoulder, she scared the daylights out of me. She looked an awful lot like the Celtic Queen, Morrigan, and I knew this how? Well, because my Nana had read Irish myths and legends to me from the time I gave any indication that I could hear, of course. "You can never start 'em too young" was her motto and so I learned that Morrigan was the Great Queen - a Mothergoddess of the Irish Celtoi - the goddess of war, death, prophecy and passionate love.

War, death, prophecy and passionate love: did Nana have any inkling she was creating a romance writer? Yeah, probably.

Eventually I got used to The Wench hanging around, whispering sweet nothings in my ear. She was the one who helped me finish my first "book," which I recall was about a Hollywood stunt horse outrunning a brush fire in California, saving the life of the handsome actor who rode him in all his films. I think that was around the time I was in love with cowboy actors. The Wench humored me. She seemed to see promise of some sort in me. Sometimes she was even kind...until the day I tried to copy her by picking up a fallen baby blackbird which I named Downy. I fed Downy hamburger and hard-boiled egg yolk on the end of an eyedropper filled with milk, which I cleverly shot down her throat in between bites. I hauled her to Girl Scout camp in a carton so she didn't die of neglect. I let her ride around on my shoulder just like Morrigan's crow, though I took the precaution of wearing a length of shower curtain beneath her. I was obsessed with her, teaching her how to pick through grass for seed in preparation for leaving me someday to make her way in the wild. My mother was convinced I was going to become a veterinarian.

The Wench was pissed. I was envisioning myself as Dr. Doolittle instead of a romance writer. She split.

That was the first time my muse left me. It wouldn't be the last.

TOMORROW: Evolution of The Muse

Wednesday, February 22, 2012

NEW RELEASE - THE KING'S DAUGHTER BY MIRIAM NEWMAN

I was the King's daughter once, so many years ago that sometimes now it is hard to remember. Before the tide of time carried away so many things, so many people, it was worth something to be the daughter of a King.
Our little island nation of Alcinia was not rich, except for tin mines honeycombing the south. It wasn't even hospitable. Summer was a brief affair and fall was only a short time of muted colors on the northernmost coast where my father sat his throne at the ancient Keep of Landsfel. Winter was the killing time and spring was hardly better, with frosts that could last into Fifth-Month. But from the south, where men cut thatch in a pattern like the bones of fish, to the north where rock roses spilled down cliffs to the sea, it was my own.
One thinks such things will never change, yet all things do.
* * *
Thus begins the narrative memoir of Tarabenthia, born a princess in the land of Alcinia.  When the idyll of her childhood ends, she will defy her father, tipping the balance in a world poised on the brink of destruction and leaving history to judge her as heroine or harlot.

In a time of war, what would you surrender in the name of love?
***
Just released, available in pdf or on Kindle, coming in print:

All digital formats and Print 2/27/12:  http://rebeccajvickery.com/online-store.php
A multiple award winner, top ten finisher in Preditors & Editors poll for Best Romance Novel of 2008, re-releasing in print 2/27/12.

If you're a fan of fantasy historical romance, do not miss this one.

Saturday, December 24, 2011

A SEASON OF LOVE

                               www.thedarkcastlelords.com/season-of-love.htm

Wishing all our readers and contributors here at The Celtic Rose a season of peace, love and joy.

Wednesday, December 7, 2011

THE KING'S DAUGHTER

Just want to share some happy news with my blog family.  This one is really special to me.  My fantasy historical romance, The King's Daughter, has been accepted by Victory Tales Press and will be re-released in February, 2012.  The book will be available in print this time and I will probably put my copy on my pillow and kiss it every night!  Honestly, I'm so in love with this book and hero that it's embarrassing.  What can I say?  It got 5+ reviews out the wazoo, so apparently some other people liked it, too.  If you didn't catch it first time out or want it in print, it will be available in February. 

The book is Book I of the Chronicles of Alcinia, the story of Tarabenthia, born to a dying queen and an ambitious king.  Tia is heir to the throne, but when the idyll of her childhood ends she defies her father, tipping the balance in a world poised on the brink of war--leaving history to judge whether she is heroine or harlot.  In a time of war, what would you sacrifice in the name of love?

Here's a peek at the cover by Laura Shinn:


If you like historical fantasy in settings reminiscent of Ancient Rome and Roman Britain, I hope you'll consider giving this one a try when it's available.  But in any case, enjoy Laura's cover!  :)

Friday, April 29, 2011

NEW RELEASE: HISTORICAL ANTHOLOGY BY VICTORY TALES PRESS

I am so happy to say that my short story "Deirdre" will be available May 1, 2011 when Victory Tales Press releases its invitation-only Historical Anthology for spring, 2011.

"Deirdre" is a retelling of the ancient Irish tale, "Deirdre and the Sons of Usna" which has been told and written time out of mind in Ireland.  Born with a cursed beauty that will make kingdoms contest for her, Deirdre is also born with a mighty gift--that of a true heart.

Read her story plus a riveting Highlands tale and two stories drawn from American history in this sweet-to-sensual collection of stories from Victory Tales Press authors.

Buy links are:
http://victorytalespress.yolasite.com/online-store.php
https://www.createspace.com/3599298
https://www.smashwords.com/books/view/56562  (not live until 5/1/11)
http://www.amazon.com/Historical-Collection-Anthology-Sweet-Sensual/dp/1461107555/
http://www.lulu.com/product/ebook/a-historical-collection-anthology-sweetsensual/15585828 




I hope you will enjoy this anthology in print or as an ebook.