Monday, March 19, 2012

AND YET ANOTHER CONTEST - AT MANIC READERS


Today, 3/19, I blogged at Manic Readers about Heart of the Earth, Book II of The Chronicles of Alcinia.  This is the sequel to The King's Daughter, Book I of the piece.  There is a contest for a free pdf or Kindle copy of the book.  You can find this contest at http://manicreaders.com/blog/index.php/2012/03/heart-of-the-earth-with-giveaway-by-miriam-newman

Saturday, March 17, 2012

Friday, March 16, 2012

CONTEST!!!

Valley Forge Romance Writers
2012 THE SHEILA Contest



OPEN FOR ENTRIES ON March 1, 2012



Finalists will have a week after notification to submit a revised entry for review by the final round judges. 


Deadline: All entries must be received no later than April 7, 2012 11:59 p.m., eastern standard time
Submissions: Total of 35 pages, including synopsis (not to exceed 5 pages).

Judging: Entrants will receive a detailed score sheet from four qualified judges including, whenever possible, at least one RWA Pan author. The lowest score will be dropped before determining the final score. The top five entries in each category will advance to the finals.

Categories and Final Round Judges:

Single Title Romance - Emilia Pisani, Gallery Books

Historical (short or long and Regencies) - Elizabeth Poteet, St. Martin’s Press

Fantasy/Futuristic/Paranormal - Leah Hultenschmidt, SourceBooks

Women’s Fiction with Romantic Elements - Alex Logan, Grand Central   

Romantic Suspense - Katherine Pelz, Berkeley

Young Adult - Wendy Loggia, Delcorte Press/RHCB.

ENTRY FEE:

- $25 for all VFRW members / $30 for all non-VFRW members.

- For non-electronic payment methods, contact the contest chair (contest@vfrw.com) before April 1, 2012, to make arrangements.  Only money orders will be accepted.

- All entry fees are non-refundable except in the case of category cancellation, as stated above.

- If you have any questions, please email CONTEST@VFRW.COM


For detailed Rules and Entry Form, visit our website:  http://www.vfrw.com/contest

QUESTIONS: Contact Jeannine Standen, Contest Chair, at contest@vfrw.com

Friday, March 9, 2012

CHAT TONIGHT AT LOVE ROMANCES CAFE

I will be at a 7 - 9 p.m. chat tonight Friday, March 9 at loveromancescafe@yahoogroups.com with authors Kate Hofman, Susan Blexrud and Denise Alicea.  We will have plenty of free books including my new release The King's Daughter as well as contemporary, historical, paranormal, fantasy, futuristic and YA.  I hope some of you can stop by.  If you're not currently a member of LRC, you can use the address above to join for the chat.

Miriam Newman

Tuesday, February 28, 2012

COME BACK AGAIN TO IRELAND

In the interest of having this done so no one has to blog backwards, and giving you the HEA, I am finishing up today this spontaneous autobiography which shows one evolution of a writer.  Do you have your own story?  Feel free to leave particulars under Comments.  I think it's always fascinating to read what gave authors their drive to publish.  My muse was instrumental in mine and even though we have a love/hate relationship, I think it's worth it:


I read those books Seph left me, after all.  In the middle of the nights, when I awoke now because it was time to administer another IV, I read them to the accompaniment of the drip/drip of the IV pump.  The house was otherwise silent because my husband was only semi-conscious, being kept alive by the power of those drips, and I needed a book for company.  Nothing too heavy, mind you.  I didn't want to be too distracted in case the dripping stopped...or his heart did.
So I read away the nights:  Johanna Lindsay, Bertrice Small, Laura Kinsale.  There were too many others to name.  They consumed my time and my mind, or what was left of it.  In accordance with my husband's wishes, I had opted to pursue the euphemistically-termed "home death."  The social worker warned this would take a terrible toll on me, but I knew that.  I was a social worker, too.  I told myself I was ready for it.
Dave's heart finally stopped early one evening in March.  Dear friends sat with me as we played the classical music he loved and ate the pizza he loved, too.  We told ourselves that he would have wanted it that way, and I knew he would.  Dave wasn't into mourning.  His little dog lay on the bed with him until the end, and I did too, and then it was over. Just before spring.  Just as Seph had told me it would be.
I wondered if Seph would come to the funeral, but she didn't  She had never been welcome in that house, only sneaking down the flue or through a crack in the window whenever she could get in, and I guess she decided if she wasn't good enough for Dave in life she surely wasn't good enough for him in death.
Now that I had the time for her, I had no muse.
I stayed busy.  There were things to do, many things.  And bills to pay, many bills.  Oh, and I had surgery three times.  Yeah, I had been pretty busy while my husband was dying, too busy to take care of my own health, and I paid the price.  Big time.
Eventually things settled down.  Way down.  There was still no muse, my time was very much my own and I lost track of it.  I lost track of a lot of things.  When I looked in the mirror, I looked just like Seph the last time I had seen her.  Burned.
A strangely haunting tune began whining away in the back of my mind, never quite getting to the front but always there just like those voices my mother had heard.  Uh-oh.  Those voices had nothing to do with Second Sight.  There was a difference between The Sight and clinical depression or worse.  Jeez Louise.  Was I going to end up like my mother?
Well, apparently not if my Nana could help it.  Years before, Nana had told me I would have a hard life.  That wasn't difficult to predict, seeing that I had a mother with essentially untreated bipolar disorder.  They really weren't into calling it that in those days.  Then it was called Manic Depression and treated with Lithium, only Mom couldn't tolerate Lithium because it was hard on the kidneys and she had already damaged hers with heavy alcohol consumption.  Then the doctor recommended shock therapy, but my father said if he wanted his wife electrocuted he could just give her a fork to stick in the toaster.  No electro-shock, though from what I heard of it in later years I decided probably Dad was right.
In any case, Nana had told me when everything seemed to be lost to go to Ireland and I would find my way again.  I was just enough my mother's daughter to listen.  My father's genes protested furiously that I would be wasting my time--not to mention all that money!--but between the sage counsel of my grandmother and the psychotic delusions of my mother I was just wise enough and just crazy enough to get on a plane bound for Ireland, where I didn't know a soul.  Or at least that's what I thought.
That music in the back of my head had been Celtic music, and I knew even before the plane touched down at Shannon that I was home.
Ireland saved my sanity, though at first it didn't seem that way.  At first it was a matter of sitting in The Laurels Pub in Killarney, a wonderful place I remember with great fondness except that I nursed too-numerous mugs of Guinness stout there.  My fault entirely.  I didn't even like Guinness.  Mom had liked rye and vodka.  Oh, man, did she like vodka--which was probably why I avoided it.  But the end result would be the same.  I was avoiding mirrors again because I didn’t like the way I looked.  Unlike my mother, though, I had an innate ability to “just say no.”  So I did.  I started drinking what the Irish call fizzy water--seltzer water--with lime.  And Pepsi with lemon.  And then because my mad escapade hadn't left me with enough money to buy a laptop, I bought a bunch of yellow legal pads a la J.K. Rowling and went to find Seph.  I damn well knew she was in Ireland.  She had to be.  Why else had I come?
I found her in a peat bog.  A peat bog?  Oh, well, I guessed that was appropriate.  And oddly enough--just like me, once I just said no--she looked healed.  She looked...peaceful.  No more drippy lava, no  sparking eyeballs.  She smiled and pointed to the yellow legal pad in my hand and then to a sheep pasture overlooking the Aran Islands and the Atlantic Ocean my grandmother had crossed to get to America.  OK, maybe I would just sit there and try to write.
My pen hit the paper and I started:

"I was the King's daughter once, so many years ago that sometimes now it is hard to remember. Before the tide of time carried away so many things, so many people, it was worth something to be the daughter of a King.
"Our little island nation of Alcinia was not rich, except for tin mines honeycombing the south. It wasn't even hospitable. Summer was a brief affair and fall was only a short time of muted colors on the northernmost coast where my father sat his throne at the ancient Keep of Landsfel. Winter was the killing time and spring was hardly better, with frosts that could last into Fifth-Month. But from the south, where men cut thatch in a pattern like the bones of fish, to the north where rock roses spilled down cliffs to the sea, it was my own.
“One thinks such things will never change, yet all things do."

What the hell?  That was no poem.  I looked up, startled, and there was Persephone, black hair gleaming against her red gown.  Still no lava although her nails were still bright red.  With one of those gleaming, lacquered nails, she pointed imperiously to my paper and said one word.  "Write."
I wrote until I had 130,000 words.  And then I wrote another 103,000 words.  The first book I called, "The King's Daughter."  The second book, its sequel, I named "Heart of the Earth."  And then, like my grandmother, I crossed the Atlantic Ocean to America.
I got on a plane and flew back to America, since unlike my muse's crow and my blackbird I had no other way to get there.  Nana had come by steamer (first class, of course, with her mother's china), but those days were gone.  Now Aer Lingus took me back to New York, where I can't say I was especially glad to be.  The air pollution made my eyes as red as Wench … er … sorry … Persephone’s at her worst.  I did get to spend time at the Metropolitan Museum of Art, hanging out with guys in mail, which almost made it all worthwhile.
I got a computer.  I got an email address which I had to abbreviate from my friends' whimsically-inspired "Miriam's in Ireland."  I tried to get a publisher.  Or an agent. BUWAHAHA!  We all know how easy THOSE are to get.  I didn't know diddly.  I especially didn't know if you tell them you're a poet they run screaming in the other direction.  Our reputation precedes us.
Persephone was no help.  Apparently she had stayed in Ireland.  Finally, since I had concluded writing romance took a high degree of skill and maybe I was missing something, I joined Romance Writers of America and Valley Forge Romance Writers.  Then I got online and an editor found me.  Seriously.  She read my first paragraphs, then my first chapters, then the whole bloody book--in one night--and then she wanted it.
That was The King's Daughter, presently available on my web site www.miriamnewman.com.  The sequel is there, too.
Once I signed the contract, Seph came back.  She really is a wench, but all is forgiven because she brought another nine books with her.  Ten, if you count the one I'm writing now.  It’s set in Norway.  Now do you suppose if I went to Caithness, northernmost point in Scotland, from where a ferry leaves most days for Norway, and I took a yellow legal pad and…
”SEPH!  COME ON!  WE’RE LEAVING!”

Miriam Newman


Sunday, February 26, 2012

THE LONG GOODBYE (PART THE FOURTH)

This is the part where if you haven't figured out that this is an autobiography, you'd do best to scroll down to Part The First to figure it out, assuming you're interested.

Anyway...

Before she left, the now-named Seph did something peculiar.  Before, she had always left me with heaps of  material to read before her next visit, sort of like a teacher giving you stuff for the final exam.  Usually it was something highbrow.  Something on the order of, say, Stephen Vincent Benet's Pulitzer-Prize-winning epic "John Brown's Body," a book-long poetic version of the Civil War, to the accompaniment of something like The Battle Hymn of the Republic to...you know...get me in the mood.  Or if it was a non-poetic book--though that was rare--it would at least be literary fiction.  I remember she really liked Foucault's Pendulum.  My muse had informed me that she had an IQ of 140 and the reading material in my house had darned well better match it, otherwise I was wasting her time.

Whewee.  That's why it was so surprising that she left me a stack of romance novels.  Romance novels?  That was a first.  It really didn't seem like her style, but maybe Pele enjoyed them.  They were singed around the edges as if a volcanic goddess had been at them.  Since they were quite warm to the touch, without further ado I tossed them in a corner and forgot about them.

I have to admit I was lonely without Seph even if it was more peaceful.  Then things began to get a tad scary.  I started waking up in the middle of the nights and it wasn't to write poetry.  I woke up because I felt like I was on a wheel of time turning slowly...slowly...coming to a halt.  With a shiver, I recognized that this had nothing to do with poetry.  It was The Sight.  Yes, folks, I believe in Second Sight.  Why shouldn't I?  My Nana's surname indicated very clearly that we are descended from Druids and all the teachings of the Church aside, we still have it.  The rational part of me has always wanted to deny it, but so many inexplicable things have happened that I can't.  We're weird.  Fey.  We KNOW things.  And I KNEW something, although I wasn't clear exactly what it was.  All I knew was that something was coming and it was bad.

It finally came in the form of a terminal diagnosis for my husband.  Leukemia.  The doctor didn't mince any words.  He could buy Dave some time, but the end was in sight.  I deduced that on her way to Hell and back, Seph must have encountered the Fates, busy weaving our mortal timelines on their immortal looms.  There was no bargaining with those three old hags.  Once they cut your yarn--poof.  That was it.  She knew I needed her, even if she was plenty steamed at me.

She paid a condolence call in November, three months before my husband died, leaving me what I didn't know was a last sonnet.  Not mentioning the books she had left, she gave me a sonnet she called Shadows:

Shadows

The thickened fur upon my slit-eyed cat
Speaks of winter to the attentive ear,
And I must up and pace the room, to hear
This wild autumn's broadside rip and slash
Wrenching the withered apple from the tree,
Tearing my heart to tatters all the while.
And I see the sadness in your smile,
Knowing your easy words are meant for me.

Tell me once more the beauties of the snow,
Tell me that spring will find me strong and sure,
Tell me what things you will.  I only know
That once I loved the slant of autumn sun,
Seeing now only how the shadows come
Sooner and longer than they came before.